I’ve been interested in Aladdin for many years since I learned working on a Smithsonian project on ethnic imagery in advertising that in the 19th and into the 20th century, he was presented as a Chinese figure. Recently I’ve been working on and off on a piece about Aladdin that I don’t quite know how to finish. Here’s the first part of it:
I’ve always loved to read. When I discovered libraries growing up, I read anything and everything I could find. One of the subjects I devoured was fairy tales and folktales and one of my earliest sources for them were the various colored books of stories collected and published in the late 19th century by Andrew Lang.[1] It was in The Blue Fairy Book that I first encountered the story of “Aladdin and the Wonderful Lamp.” At the time, I found the story simple and straightforward, but magical and marvelous nevertheless. As an adult and as a historian, I’ve learned the story of the story is anything but simple.